‘Celebration’ cookies: a memory

Many moons ago, in another life and after something of a rough patch, I rang the doorbell of a modest, flat style home to present myself to a prospective landlady. I’d just seen the listing for a three-bedroom apartment in a solid city neighborhood, with church and school and people I knew all within a few blocks.

I was greeted by one of those smiling “map of Italy” faces so common in Northeastern Pennsylvania. She invited me in and excused her appearance—she’d been baking. Noting that the upstairs apartment was identical in layout, with a flourish she pointed me to the living room. I almost said yes on the spot, not because of the apartment or the affordable rent, but because on literally every surface in front of me were lined cookie sheets and platters full of gianette, the Italian anise cookies that in my family always signaled a celebration, always in the spring. They were iced in a rainbow of pastel colors, and the unmistakable perfume of anisette was everywhere.

Of course, my future landlady offered me a cookie. Of course, I accepted. That sealed the deal. True confession: I never told Mom that my landlady’s gianette were just as good as her own.

I remember that day, that experience, as a “Godwink“—a little message from heaven that this was a good fit, and that everything would work out just fine. When I shared the tale of the gianette with my parents, who lived several hours away, I could almost hear them trading worry for delight.

We lived there for five years before I bought a house a few miles away. There was a lot of up and down the stairs—sharing food, recipes, stories, landmark moments for the kids, the ups and downs of jobs and relationships, and a penetrating, real-life sadness when our landlord became very ill and passed away. I was glad we could be there for them then, and that my children had this valuable, if painful, life lesson. My landlady is gone now, too, but her darling daughter is raising her beautiful family in that same house.

Last week, I spent most of a day making two big batches of gianette for a family First Communion. They’re shaped like tiny doughnuts or little knots, then lightly iced with an anise-flavored glaze (I opted for anise oil instead of anisette—anisette is more authentic, of course). My mother often added colored sugar or sprinkles, but I’m all about not gilding the lily. In some Italian-American communities, they’re called Nonnie cookies, by the way. That’s pretty precious.

I packed the lion’s share of the two batches for the luncheon and most of the remainder into goodie bags, which I delivered to some of our neighbors early Sunday morning as a Mother’s Day treat. A dozen or so went into the freezer, to be tapped one-at-a-time to quiet the occasional craving. Giving most of the bounty away assures me the pleasure of baking without the danger that Hubby and I will consume all of that sugar and butter on our own.

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Alas, you won’t find a recipe, or even a link to one, in this post. There are several different gianette recipes in my collection, but I’m still not sure on which, if any, my mother relied. Although the cookies I made this time were delicious, I’m still not entirely satisfied that I’ve absolutely duplicated Mom’s texture—or my landlady’s. When I find the right one, I will be sure to share it with you.

By the way, if you like to give away the goodies you make, consider signing up for King Arthur Flour’s Bake for Good initiative. For everyone who pledges to bake something to give away, King Arthur will donate the cost of a meal to the Feeding America organization. Funding for more than 41,000 meals have been provided since KAF started this program. Just another reason to love King Arthur Flour

 

 

Sunshine on a cloudy day

Spring is being to seem like the “skipped season.” Winter stalked us right through April. Since then, the temperature has been fluctuating wildly: high 80s one day, then plummeting 20 to 30 degrees the next. I hate those wild swings. They’re as hard on my temperament (sorry, everyone I love) as they are on my bones, joints, and sinuses.

But who’s complaining? Our early rhododendron were the loveliest they’ve ever been. I had to replant rosemary and parsley, but all of the other herbs soldiered through the winter and are looking just fine. The Irish yews in the back, the ones Hubby calls “shrimpies,” are bolting. The roses are budding and stretching out across the trellises. The hostas are gorgeous. Everything in the pots looks happy and stable, at least so far.

Here in the US, the second Sunday in May is Mother’s Day.

We spent it with the kids. The plan was brunch, then an excursion to see the azaleas in full flower at Jenkins Arboretum. It was raining—not pouring, not storming, but the kind of slow, steady you’d beg for in mid-July. I wasn’t overly anxious to tramp around in the rain, but the kids convinced me. We’d been there before on Mother’s Day, several years ago, and I remembered well what a lovely place it is. We pulled out the umbrellas and set out.

Azalea Hill, it turns out,  may have been ever lovelier than it is on a sunny day. First, we practically had the arboretum to ourselves. Other mothers, apparently, were not as willing to tramp around in the rain. Second, sunshine, much as we all crave it, can be a distraction. More than one gifted photographer I’ve known has expressed a preference for the subtle light of a cloudy day. The colors were not only beautifully vivid against the gray sky, but also impossible to miss.

Note to self: Even the grayest day holds pleasures. Don’t be an old you-know-what.

Note to readers: Jenkins Arboretum is a stunning, calming oasis. If you’re within a few hours of Philadelphia, check the link above and plan a visit.

 

 

 

 

On meatloaf… yes, meatloaf

Truthfully, of my 100+-volume cookbook collection, there are only a few I actually use with regularity, primarily for baking.  I’m not precise or patient enough to use recipes for everyday cooking.  But one that I do use is The Roseto Cuisine Cookbook. I love this modest but mighty cookbook, last mentioned in my Easter bread post,  for more reasons than I can count.

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Today, it’s all about the meatloaf. I realize that the weather is getting warmer at last, and that heartier fare is not on our minds so much this time of year. But meatloaf is a great thing to throw in the oven while you laze on the porch with an apero, as the Italians call it. Plus, it makes fabulous sandwiches, hot or cold.

My mother’s meatloaf was beef and pork, two eggs, a splash each of milk and Worcestershire sauce, about two tablespoons of ketchup, salt , and, of course, breadcrumbs (the kind you make from the ends of bread,  left to dry out on the counter for a day or so), salt and just a pinch of pepper. She glazed the top with stripes of ketchup, which caramelized nicely to add a slightly sweet tang.

Over the years I’ve tried a few meatloaf recipes which, at the time, I thought might be more interest.  72 Market Street Meatloaf, named for the Venice, California, restaurant where it was a staple, is a much more refined meatloaf worthy of a special dinner; but the ingredient list is as long as your arm and you won’t put it, or the wine-and-shallots sauce designed to accompany it, together in five minutes. Ina Garten’s meatloaf isn’t bad either. It reminds me more of the meatloaf I grew up with.

Given the choice, however, my favorite meatloaf in recent years is the Italian-style Polpettone**, in the The Roseto Cuisine Cookbook.

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This recipe is close to perfect as is, but I understand that some of you may not eat veal or pork. You can skip either or both, but make sure that the fat content of your ground beef is generous. Italian-style chicken sausage might be a reasonable substitute; turkey sausage would probably be too dry. If you eat only ground turkey or ground chicken, my advice is to find a recipe designed for those products.

As you will see, the instructions say to mix everything together on a platter. I tried that, thinking it might be easier; but in the end found my giant stainless steel bowl works better. Wash up well—you absolutely MUST mix meat loaf with your hands.

Just as an aside, Roseto is in the Slate Belt of Eastern Pennsylvania. Adriana Trigiani has written about the town where her grandparents lived in several books. It is also the home of Ruggiero’s Market, where you can find Anna Marie Ruggiero’s marvelous cookbook. Or purchase it online here.

*Excepting Mom’s because to do otherwise would be heresy.

**Another version of Polpettone, a stuffed one, from Memorie de Angelina, an Italian food blog that I love (you will, too!), can be found here.

‘I write in ink.’

Dear Frances Mayes,

The time I brought The Tuscan Sun Cookbook to you for signing in Chapel Hill, I remember saying, simply, “Can I tell you how much I loved A Year in the World?” You smiled sweetly.

I frankly never thought anything else of yours could eclipse that smashing book—which really wasn’t about travel, of course, but about how travel changes us, fundamentally. Then I read, and was surprised at, your gut-wrenching memoir, Under Magnolia. Suffice it to say that if I had thought about it,  I would have imagined your life-before-fame otherwise. We never really know what’s beneath the surface.

I finished Women in Sunlight yesterday, with tears streaming and that disconnected feeling of “What next?” that always follows on the heels of a book that knocks you silly.

You are—allow me to presume—among the best of the current crop of Southern writers, whom I have always loved for the richness of place in their work and their ability to make place a character all its own. Women in Sunlight has characters strong and multi-dimensional enough not to be subsumed in the glorious setting of a Tuscan village, or Venice, or Florence, or the Cinque Terre, or Capri. But Italy is the character, from the start, that brings them all together, in reality and in metaphor.

I love the intertwining of poetry in this book, the sense that, as in a poem, every single word was meticulously selected and weighty with meaning. I love the bits of poems interspersed here and there with the text. How brilliant—and full of gumption—to make the storyteller, Kit, a poet! One can sit on the surface, watching, or go deeper and deeper, just like Julia leaping off the cliff in Corniglia.

And there is that one stunning sentence—”I write in ink.” There is no undoing. Margaret knew that. Except, sometimes, if you are brave and your reach is wide enough, there is a chance at redoing. Camille, Susan, and Julia discovered that. Kit, too, in her new incarnation. I adored these characters, and also those in the periphery who egged them on.

How can I thank you enough for allowing me these two weeks in Italy, for introducing me to these fascinating people and allowing me to watch them grow, at a time in life when it would be all too easy not to?

Truly, you have outdone yourself.

Notes to readers:  Full disclosure: I’m a reader, not a critic, not even a book blogger. But I do like to write about books that I find extraordinary in some way, with the hope that others will enjoy them as I have.Of course, I’ve read Under the Tuscan Sun and Bella Tuscany, too. Please don’t opt for “I’ve seen the movie” because the books are so much more wonderful.

#FrancesMayes
#Goodreads
#WomenInSunlight